Pletor

En 17 minutes, j’ai créé une pub IA “cinématique” façon Wes Anderson… pour Jimmy Fairly Et le plus fou ? Je n’ai pas ouvert Premiere Pro. Je n’ai pas tourné une seule scène. J’ai juste construit un workflow sur Pletor Voici mon process : 1. La scène globale Je commence par créer l’univers : couleurs pastel, symétrie, mouvements lents, cadre fixe… bref, l’ADN Wes Anderson. Un seul Masterprompt suffit. 2. Les micro-angles Ensuite, je décline la scène en plusieurs angles caméra : plan rapproché → plan large → focus sur le mouvement. Tout reste cohérent, rien ne dérive. 3. Le rendu final J’assemble toutes les scènes. Et je peux décliner le concept à l’infini pour tester autant de variantes que je veux. Avec ce système, tu ne “produis” plus. Tu connectes, tu enchaînes, tu automatises. On entre dans une nouvelle ère : celle où un solo-creator peut produire des campagnes que les grandes agences n’arrivent même plus à suivre. Si tu veux le lien du workflow exact que j’ai utilisé, commente “WES” et je te l’envoie. Paul. Arthur Dufour Morgan LOIR Mathieu Crucq Maël Garcia Brainsonic

👇Here’s how to animate your photos into cinematic sequences with Kling O1. I transformed a simple key into a Land Rover Defender drifting through snow and crossing Icelandic rivers. No cameras. Just the right workflow and Kling O1. Here’s the fast-track system: ➡️ Go to Pletor ➡️ Upload reference photos for perfect brand consistency. ➡️ Use Gemini to generate the prompt. ➡️ Connect it with Kling O1. The ROI: Traditional Car Shoot → $100k+ & weeks of logistics. This AI Workflow → <$50 & a few hours. The breakthrough isn't just the cost; it's producing global assets without ever leaving your desk. Want to receive my workflow ? ➡️ Like this post + comment “LAND” and I’ll DM you the full workflow.

And continuing my experiments at Pletor, I wanted to try something a bit more technical. I grabbed some reference images online of an iPhone, a Polaroid and a PS5 controller, and used the platform to push them into that “exploded view” look where every chip, screw and internal layer spreads out in mid-air before coming back together. It turned into a solid test for understanding how Pletor handles precision, depth and controlled motion when you’re working from still images instead of raw footage. The mix of references and node-driven animation gave the effect a really clean and engineered feel. Sharing the result below. Enjoy ;) #ai #generative #pletor #nanobanana #suno #iphone #polaroid #ps5 #node

If you blinked this month, you missed half the AI industry: Kling 2.6 + O1, Seedream 4.5, Flux 2.0, NanoBanana Pro and Gemini 3. All in DAYS. This is the new reality for anyone building in AI: 👉 You’re competing in a space where the baseline improves every 72 hours. 👉 Your advantage isn’t the model, it’s your workflow. 👉 Speed matters more than expertise. Every model is great in isolation. But the real superpower is connecting them. So I made a quick video inside Pletor, using all the new releases in one workflow : text (Gemini 3) → image (Seedream 4.5 + Nanobanana PRO) → video (Kling 2.6) → video editing (Kling O1) What used to require a team + a production pipeline is now… one person with the right stack. It’s honestly insane to be working in a space moving this fast. Exciting, terrifying, and addicting all at once. If you want the full workflow (with every model connected) + a guide on how to use them properly, like this post and comment “Pletor models” and I’ll send it to you. Welcome to the era where creativity is limited only by how fast you can ship.

🦍 Gary was born. And maybe something more. I took the morning to explore Pletor, a very interesting multimodal platform I'm carefully studying. Fast, accessible, agentic, perfect for testing AI-driven content. 🎬 Thus was born Gary, the protagonist of a mini-experiment: a UGC-style social micro-sitcom with a giant gorilla and a boy: Gary & Jason. 🔍 What I tested 🧠 Agentic workflow 🎨 Design: Hawaiian shirt, "shy giant" vibe 🎭 Consistency between poses, angles, expressions 📽️ UGC-style vertical skits 🎵 The theme song? Generated with MusicGPT: an original soundtrack to close the sitcom. Testing audio/visual emotional coherence and completing the multimodal pipeline. Why I'm interested in Pletor Because it combines: 📸 images + 🎭 behavior + 🎶 music + ✍️ narration + 🧠 Agent Ideal for those working with storytelling, reels, and creative prototyping. 🎬 Coming soon: Gary & Jason A gorilla. A boy. An apartment. Micro-episodes, slices of life, and light humor. 💬 Want to listen to the theme song or watch the first sketch? 👇 I'm trying to decide which scene to start with. ⚠️ Disclaimer: The products shown (e.g., fruit juice) are used for purely creative and demonstration purposes. No commercial collaboration is in progress.

Tu es à 20 minutes de rejoindre ceux qui vont remplacer la vieille génération de créatifs. On doit arrêter de faire semblant : Le workflow créatif traditionnel est mort. Brief → Création → Production → Validation → Livraison… C’est terminé. Aujourd’hui, tout tient en 4 mots : Idée → Génération → Ajustement → Re-Génération. Et avec Pletor, c’est encore plus violent : tu ne « produis » plus… tu connectes, tu enchaînes, tu automatises. Tu ne testes plus un visuel. Tu testes 10 workflows, 50 variations, 100 options… en une seule matinée. Et oui, ça dérange ceux qui aiment “prendre leur temps”. La réalité : - Celui qui va vite gagne. - Celui qui teste plus comprend mieux. - Celui qui automatise devient intouchable. Le talent n’est plus dans l’exécution. Il est dans la vitesse d’itération. Dans ta capacité à transformer une idée en système. Ceux qui refusent ce rythme vont disparaître. Le marché ne les attendra pas. Paul.

This AI turns 1 product photo into 20+ high-performing creatives in under 5 minutes. Most consumer brands spend thousands on shoots and wait weeks to get enough assets to test new angles. This agent built in Pletor eliminates that entire workflow. Here’s how I use it: -> You upload a single packshot -> AI generates 8 completely different visual concepts -> Each concept matches a new angle, benefit, or audience -> Visuals are created automatically (consistent, on-brand) -> AI writes animation prompts -> Videos are produced instantly in multiple formats The output: Studio-quality images from a single photo 15+ short-form videos ready for ads New creative directions you wouldn’t have explored Scroll-stopping visuals without a production team Testable concepts for multiple audiences It’s the equivalent of doing: - a photoshoot - a concept exploration sprint - a video production cycle All in minutes. I’m giving away the full Pletor agent template + setup steps so you can run it yourself. Connect with me & Comment “AGENT” below and I’ll send it over. (PS – Repost for priority access)

Van een simpele (slechte) productfoto naar prachtige sfeerfoto's en video in enkele minuten! Geen fotostudio. Geen Photoshop skills. Geen uren werk. Alleen een AI workflow met een custom ChatGPT en Pletor. ━━━━━━━━━ 𝗛𝗼𝗲? Ik heb een workflow gebouwd die: → Merkidentiteit begrijpt → Verschillende AI-modellen combineert → In één klik zoveel variaties genereert als je maar wenst → Altijd on-brand blijft Het resultaat? Ik ga van verschillende uren naar een kwestie van seconden per productfoto. ━━━━━━━━━ Dit is waarom AI agents de toekomst zijn van visual marketing: - Je bouwt het één keer. - Je geeft context en richting. - De workflow doet de rest. - Het werkt voor nagenoeg elk product. Geen technische kennis nodig. Geen dure software. Gewoon resultaten die 'ready to use' zijn! Benieuwd hoe ik dit heb opgezet? Comment met "Pletor" en ik stuur je de details💬 #AI #Pletor #ContentCreatie #Productfotografie #marketingAutomation

🌟 Corporate Headshots: A Tradition of Suffering We Can Finally End. If you’ve ever been part of a corporate photoshoot, you know the vibe: no time, no excitement, and 30 people silently questioning why this is happening. For years, I was the one behind the camera doing these shoots. And honestly? They drained more energy than any Monday morning meeting ever could. But the real entertainment starts afterward. Because I’m Swedish, and apparently genetically engineered for polite discomfort, it is impossible for me to get a straight answer when I ask: “Is this good?” People look at their photo… pause… and give me the classic polite nod: “Yep, looks good!” (Which, in Sweden, can mean anything from fantastic to I might cry later.) Then the overthinking begins. The slow internal panic. The “do I actually look like this?” spiral. And then three weeks later; the legendary email arrives: “Hi! Sorry to bother you… I’m not completely happy with my headshot. Could we redo it?” Which translates to: “I wasn’t sure at the time, but after thinking about it for 21 days straight, I’ve reached full regret.” It’s basically the emotional equivalent of assembling an IKEA shelf upside down, and realizing you must undo your life choices (and the screws). But here’s the twist: that tradition of suffering is finally optional. Why? Because we now have tools that let you take one good image… and from that, create — storytelling photos — editorial portraits — even full fashion-style shoots …without dragging everyone back into the conference room for round two. People already know the tech exists, the real magic is how smoothly it removes the awkwardness, the time pressure, and the Swedish regret-cycle. To test it, I tried the simplest workflow ever: 1️⃣ One boring corporate headshot 2️⃣ One storytelling-style portrait 3️⃣ One full editorial “hero shot” All from the same image. No reshoots. No drama. No 3-weeks-later regret emails. Corporate headshots: a tradition of suffering we can finally, and gladly, retire. FYI: I used Pletor for this test, really impressive tool!

AI might be the best medium art has ever had. Every day we get more and more tools that let us create anything we imagine. In the world when the line between “real” and “not real” keeps dissolving, we’re confronted with a strange kind of freedom to choose our own reality, to become a thousand versions of ourselves, to create without limits. Perhaps this is what art was always reaching for: a medium where imagination has no ceiling. Tools used: Midjourney, Kling AI, Pletor